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#76 -So Weird
1999-2001, Ages 13 and up
Gather round and I'll tell you the tale of a teen who investigates paranormal phenomena while traveling with her rock-and-roll touring family.
(1/3/25)
The following recording is edited from its original 15-minute version due to copyright restrictions. To hear the full version, tune in or stream at the scheduled times on ktwh.org, or download on AudioPort.
1999-2001, Ages 13 and up
Gather round and I'll tell you the tale of a teen who investigates paranormal phenomena while traveling with her rock-and-roll touring family.
(1/3/25)
The following recording is edited from its original 15-minute version due to copyright restrictions. To hear the full version, tune in or stream at the scheduled times on ktwh.org, or download on AudioPort.
As a kid fresh into teen hood, I originally got hooked on this short-lived Disney Channel series for the same reasons anyone at that age would: the creepy creatures and the spooky strangeness. But as I got older and was finally able to refresh myself on it again via Disney+, I realized there was another reason it appealed to me so. It provided me with my first real glimpse at the possibilities and benefits of running one’s own website. More than just a digital work of art the owner can continually personalize to their heart’s content, it provides the ability to reach out to those who share their passions no matter the distance between them. Of course, this is common knowledge now, but to me back then, it was the epitome of technological genius and unbridled imagination. And the awesome young protagonist couldn’t have provided a better introduction.
Fiona Phillips, or “Fi” for short, isn’t your typical teenager. She lives on a tour bus, traveling cross-country with her mother, Molly Phillips, a famous rock star, and the rest of their family and crew. But that’s not the only thing unusual about Fi’s life. She harbors an unshakable belief in the supernatural, enigmatic, and unexplained in all its forms. And despite what her skeptical family thinks, her bizarre phenomena are neither fantasy nor science fiction: they are very real. And dangerous. On her website, the aptly named “So Weird,” Fi shares her experiences and conducts research with her followers to solve the many mysteries which threaten her loved ones or seek out her help in setting old wrongs right. And along the way, she hopes to solve the most important mystery of all: the one behind her father’s death.
So Weird was to The X-Files what Gargoyles was to Batman: The Animated Series; even without the adult language and violence, this otherwise similar hi-tech truth-seeking series was the darkest show the Disney Channel produced at the time and possibly ever. One of its greatest strengths is its diverse subject matter in the science fiction, horror, and fantasy genres, with Fi and her family encountering everything from ghosts, aliens, and monsters to time travel, parallel universes, and government conspiracies. I think part of this can be attributed to the eclectic experience of series creator, Tom J. Astle, who’s written for numerous films and TV shows for all ages before and after this one, like The Twilight Zone in ‘88, Stargate SG-1, Elmopalooza, Failure to Launch, and Home, to name just a few. Another major part, as mentioned, is its timely portrayal of the internet. Fi’s website is often used to get her out of a wide range of paranormal predicaments. When not performing its ordinary intended function of providing her with the info she needs in a pinch, it can sometimes perform extraordinary functions as well, like telling the future through videos and online articles:
(Fi opens an unknown website link which opens a page entitled “The More Than You Could Ever Want to Know About Molly Phillips Page.”)
Fi: (Amazed) Whoa, Mom has a fan page? Cool! Primitive, but cool. (Clicks on a link to a review article and reads in confusion) “All Washed Up”? Wait a minute, Mom doesn’t play the Paramount until tonight.
To allowing real-time chats with a coma patient:
Fi: (Urgently) Mrs. Simmonds, maybe the EEG wires shorted to the ethernet wires, and that could be why Kamilah can send messages out directly from her brain onto the internet.
DR. WILLSTONE: (Baffled) What?
Fi: If that’s what happened, it was one-in-a-zillion chance. It’ll never happen again.
Plus, there are few things more nostalgic to this adult millennial than the sweet sounds of a modem dialing up.
That said, it’s also unfortunately the biggest indicator of the show’s datedness. Considering how no current internet user in their right mind would open emails from unknown senders or visit suspicious websites, I can’t deny that watching the characters do exactly that at least once is cringeworthy to say the least:
(Carey opens a strange email from “Jordan” that reads “Click HERE for a wonderful surprise!”)
CAREY: Darn, this one’s addressed to Fi. “Click here for a wonderful surprise!” Fi won’t mind if we check this out, will she?
JACK: (Gets up quickly to stop him) Wait, wait, wait, wait! Carey, Carey, don’t click on it.
CAREY: (Clicks the link) What?
(The screen goes black)
[. . .]
(The screen shows a smiley face emoji with the caption, “WISH YOU WERE HERE. JORDAN.”)
JACK: (In exasperation) That’s how computer viruses spread, Carey. Some loser sends an e-mail with an infected file attached, and suddenly your hard drive is history.
CAREY: (With alarmed remorse) I’m sorry. I’m sorry.
JACK: (Not letting up) Fi is going to freak when she finds out you melted her laptop.
Carey: (Quickly) Shh. I didn’t know.
Almost every episode begins with Fi giving a quick monologue, accompanied by a montage of text, images, and footage—some courtesy of sources like ISMI Masterclips, ClickArt, and Master Gallery—that does more than introduce the spectacle of the week. In under a minute, Fi’s delivery speaks volumes about her character: smart, enthusiastic, and open-minded through her fun facts, but also bold, witty, and relatable through her side quips and associated memories. Yet we also see sensitivity and introspection through her attention to the real-world implications of such otherworldly things, especially in relation to her late father, Rick, suggesting that her interests are much more than a hobby, that just maybe, given the chance, she might use such close encounters to bring him back to her reality:
FI: (Narrating) [. . .] There are people called “mediums” who say they can use these feelings to contact the spirits of departed loved ones. I don’t know if it works, but I figure if you’ve lost someone close to you, someone you love, or maybe someone you never got the chance to love, isn’t it worth a try? I mean, how can it be wrong to hope?
While several of the entities Fi meets are indeed malevolent, others have human emotions and flaws to the point where they consider their power a curse. The ease with which they bare their souls to Fi upon her discovering their secrets can feel contrived at times, but their stories are poignant nonetheless. Among many others, a young immortal who can never make friends for the simple reason that she will outlive them by centuries:
REBECCA: (Angrily) I know what it’s like to be alone. And you think it’s so amazing, but I don’t want to be amazing. I don’t want to be a freak! I hate my life! Odio mi vida! Ich hasse meine leben! Watashi no jinsei wa dai ki rai! Thu-val ci-sa mach huth! That was Etruscan. My mom had a friend there when she was a little girl. (In a trembling voice) That girl’s bones are dust now. Even her language is dead.
A performing siren whose enchanting voice leaves her trapped by an exploitative manager and unable to find true love:
CALLIE: (With frustration, then sadness) They love my song, not me. They don’t even know me. It’s the curse of being a siren. Men say they love you, [. . .] but you never know if it’s true, if it’s real.
A teen science prodigy who feels existentially lost upon learning he’s a clone:
RYAN: (Full of resentment) [. . .] I guess I’m just getting mad at myself, right? Genetically speaking, we’re the same person.
Fi: (Gently) No. There’s a difference. You’re different.
RYAN: (Protesting) But there’s not. I mean, same genes, same DNA . . . I have no identity.
And a werewolf child who fears losing the love of her human parents should they learn of her beastly heritage:
(Fi enters the tour bus to find Laura, naked and freezing)
LAURA: (Trembling and near tears) I’ve been changing. I’m so scared. I don’t know what’s happening to me. (Fi wraps Laura in a blanket and cradles her in her arms) You can’t tell my mommy and daddy. I’ve been keeping it a secret. Only going out when they’re asleep. If they knew, they wouldn’t love me anymore.
I also find the group’s varied reactions to Fi’s claims and their own close encounters very refreshing. While I would argue that Fi could be compared to characters like Courage the Cowardly Dog or Sylvester in the Looney Tunes short, Scaredy Cat, in that she’s usually the only one aware of any supernatural danger and must therefore rescue her loved ones singlehanded, thankfully said loved ones aren’t like Eustace and Muriel or Porky Pig, oblivious or disbelieving to the point of becoming idiots and/or jerks. Though no-nonsense band manager Irene has little patience with mysteries and gentle giant tutor and bus driver Ned sees them only through a cultural or historical lens, the couple has the Philips’ best interests at heart, Irene sharing a sisterly bond with Molly and a sincere interest in cultivating her career, and Ned showing the same care and affection to Fi and Jack as their own sons:
IRENE: How did you cook it so fast?
ASTRID: How do you think? (Laughs cheerfully with raised hands) Magic!
IRENE: (Obviously not caring) Oh, yeah. OK. Well, look, once we get the bridge fixed, I just want to know, are there any other local quirks that we need to know about on the way to St. Paul?
—--
NED: (With enthusiasm) I’ve always loved the richness of Native-American Tradition. Maybe one day I’ll do a vision quest. [. . .] It’s how you discover your true nature and destiny, and it’s often when your spirit guide is revealed to you.
Clu, with his surfer-dude persona, and Carey, with his love of the music scene, each epitomize their own brand of “cool”—with varying degrees of success. They may not share Fi’s brains or her beliefs per se, but they do share her sense of adventure and imagination, and will often go along with her plans for fun as well as backup:
CLU:
- (Excited) Bird-monster thing? Cool!
- (Mind-blown) Cosmic weirdness, man. I wonder if this means I’m gonna have to study Physics?
CAREY:
- Getting an open tuning. [. . .] (Grinning) I want to play some slide.
- Maybe, maybe not. The only way to know for sure is if we ask it another question. (Holds up a key card and smiles mischievously) [. . .] Can we ask it the real lottery numbers?
But it’s Fi’s mother and brother who act as her foils and really put the concept of faith in perspective. In typical older-sibling fashion, Jack loves to tease Fi for her so-called ridiculous stories, and easily gets frustrated by what he sees as her making herself a public nuisance:
JACK:
- (Mocking Fi) Hey, check it out. Cyber girl’s looking for little green Martians again.
- (Scolding Fi) And now you’re even bugging her right before she goes on stage. It’s not fair that you keep pressuring her into believing all this stuff you keep seeing.
Yet as much as he hesitates to believe in miracles and offer false hope, he knows deep down that Fi means well and really does want her to succeed in helping others, whether the methods are normal or not. And when he does find himself face-to-face with something he can’t rationally explain away, he proves time and again that his love and loyalty are stronger than his cynicism and doubt:
JACK: Look, I’m not exactly sure what’s going on with this girl, but I am sure it’s not what you think is going on. But how about we try looking for her one more time tomorrow? If you just shut up for one minute, I bet you could think of something to say that actually might help her.
FI: Thanks, Jack. I think.
Molly’s fears run deeper than just the ordinary hardships of single-parenthood, long travel, and tight schedules. As her late husband was also her professional partner, her artistic passion is a double-edged sword, his spiritual presence that she wants to believe she feels beside her on stage equally comforting and painful. This along with trying to understand and support her headstrong daughter while trying to keep her safe not only makes her empathetic as a mother and human being, but also genuine as a singer and performer. The music tour angle isn’t just a convenient plot device to get a new location for each episode. Molly’s songs often play pivotal roles in both plot and character development. It’s unfortunate that some are either incomplete or have dialogue and sound effects on them as the soundtrack, like the show, never got an official release. Still, whether ballad or blues or acoustic or Celtic, as I listened again after over twenty years, I lost count of how many times I found myself bobbing my head or being moved literally to tears:
MOLLY: (Choosing her words carefully) I’m not as sure about things as you are. Fi. But sometimes . . . especially when I’m playing . . . it’s like your dad’s right there with me on his 12-string, you know? It’s just a feeling. Maybe it’s not the same as believing in ghosts . . . but it’s something.
“More Like a River” excerpt:
I wanna be more like river
Less like a wall
Not trying to hold back
This feelings at all
‘Cause when I miss you
When I’m dying to kiss you
I’ve got to let that flow
More like a river
When lead actress Cara Delizia wanted to leave the show, Fi was replaced by Alexz Johnson as family friend and new protagonist, Annie Thelen. Whereas Fi’s two seasons comprise a detective story packed with high stakes and a dark history, Annie’s more colorful and light-hearted third and last season is a journey of self-discovery spurred by her own budding musical talent and a mysterious connection with a benevolent phantom black panther. Not bad, just different. Like this entire show. So Weird represents one of the rare times pre-21st century that the Disney Channel would push the envelope with its youth-oriented content to create a mature, nuanced drama as well as an awesomely chilling urban fantasy. But more than that, it showed me that when it comes to truth being out there, the sky really is the limit, both scientifically and spiritually.
CREDITS:
Special thanks to KTWH 99.5 Two Harbors Community Radio. All images, audio, and links belong to their respective owners; no copyright infringement is intended.
MAIN THEME:
“The Call” - Briand Morrison and Roxann Berglund
https://www.briandmorrison.com/
https://www.facebook.com/BriandMorrisonGuitar/
https://www.youtube.com/user/briandmorrison
Fiona Phillips, or “Fi” for short, isn’t your typical teenager. She lives on a tour bus, traveling cross-country with her mother, Molly Phillips, a famous rock star, and the rest of their family and crew. But that’s not the only thing unusual about Fi’s life. She harbors an unshakable belief in the supernatural, enigmatic, and unexplained in all its forms. And despite what her skeptical family thinks, her bizarre phenomena are neither fantasy nor science fiction: they are very real. And dangerous. On her website, the aptly named “So Weird,” Fi shares her experiences and conducts research with her followers to solve the many mysteries which threaten her loved ones or seek out her help in setting old wrongs right. And along the way, she hopes to solve the most important mystery of all: the one behind her father’s death.
So Weird was to The X-Files what Gargoyles was to Batman: The Animated Series; even without the adult language and violence, this otherwise similar hi-tech truth-seeking series was the darkest show the Disney Channel produced at the time and possibly ever. One of its greatest strengths is its diverse subject matter in the science fiction, horror, and fantasy genres, with Fi and her family encountering everything from ghosts, aliens, and monsters to time travel, parallel universes, and government conspiracies. I think part of this can be attributed to the eclectic experience of series creator, Tom J. Astle, who’s written for numerous films and TV shows for all ages before and after this one, like The Twilight Zone in ‘88, Stargate SG-1, Elmopalooza, Failure to Launch, and Home, to name just a few. Another major part, as mentioned, is its timely portrayal of the internet. Fi’s website is often used to get her out of a wide range of paranormal predicaments. When not performing its ordinary intended function of providing her with the info she needs in a pinch, it can sometimes perform extraordinary functions as well, like telling the future through videos and online articles:
(Fi opens an unknown website link which opens a page entitled “The More Than You Could Ever Want to Know About Molly Phillips Page.”)
Fi: (Amazed) Whoa, Mom has a fan page? Cool! Primitive, but cool. (Clicks on a link to a review article and reads in confusion) “All Washed Up”? Wait a minute, Mom doesn’t play the Paramount until tonight.
To allowing real-time chats with a coma patient:
Fi: (Urgently) Mrs. Simmonds, maybe the EEG wires shorted to the ethernet wires, and that could be why Kamilah can send messages out directly from her brain onto the internet.
DR. WILLSTONE: (Baffled) What?
Fi: If that’s what happened, it was one-in-a-zillion chance. It’ll never happen again.
Plus, there are few things more nostalgic to this adult millennial than the sweet sounds of a modem dialing up.
That said, it’s also unfortunately the biggest indicator of the show’s datedness. Considering how no current internet user in their right mind would open emails from unknown senders or visit suspicious websites, I can’t deny that watching the characters do exactly that at least once is cringeworthy to say the least:
(Carey opens a strange email from “Jordan” that reads “Click HERE for a wonderful surprise!”)
CAREY: Darn, this one’s addressed to Fi. “Click here for a wonderful surprise!” Fi won’t mind if we check this out, will she?
JACK: (Gets up quickly to stop him) Wait, wait, wait, wait! Carey, Carey, don’t click on it.
CAREY: (Clicks the link) What?
(The screen goes black)
[. . .]
(The screen shows a smiley face emoji with the caption, “WISH YOU WERE HERE. JORDAN.”)
JACK: (In exasperation) That’s how computer viruses spread, Carey. Some loser sends an e-mail with an infected file attached, and suddenly your hard drive is history.
CAREY: (With alarmed remorse) I’m sorry. I’m sorry.
JACK: (Not letting up) Fi is going to freak when she finds out you melted her laptop.
Carey: (Quickly) Shh. I didn’t know.
Almost every episode begins with Fi giving a quick monologue, accompanied by a montage of text, images, and footage—some courtesy of sources like ISMI Masterclips, ClickArt, and Master Gallery—that does more than introduce the spectacle of the week. In under a minute, Fi’s delivery speaks volumes about her character: smart, enthusiastic, and open-minded through her fun facts, but also bold, witty, and relatable through her side quips and associated memories. Yet we also see sensitivity and introspection through her attention to the real-world implications of such otherworldly things, especially in relation to her late father, Rick, suggesting that her interests are much more than a hobby, that just maybe, given the chance, she might use such close encounters to bring him back to her reality:
FI: (Narrating) [. . .] There are people called “mediums” who say they can use these feelings to contact the spirits of departed loved ones. I don’t know if it works, but I figure if you’ve lost someone close to you, someone you love, or maybe someone you never got the chance to love, isn’t it worth a try? I mean, how can it be wrong to hope?
While several of the entities Fi meets are indeed malevolent, others have human emotions and flaws to the point where they consider their power a curse. The ease with which they bare their souls to Fi upon her discovering their secrets can feel contrived at times, but their stories are poignant nonetheless. Among many others, a young immortal who can never make friends for the simple reason that she will outlive them by centuries:
REBECCA: (Angrily) I know what it’s like to be alone. And you think it’s so amazing, but I don’t want to be amazing. I don’t want to be a freak! I hate my life! Odio mi vida! Ich hasse meine leben! Watashi no jinsei wa dai ki rai! Thu-val ci-sa mach huth! That was Etruscan. My mom had a friend there when she was a little girl. (In a trembling voice) That girl’s bones are dust now. Even her language is dead.
A performing siren whose enchanting voice leaves her trapped by an exploitative manager and unable to find true love:
CALLIE: (With frustration, then sadness) They love my song, not me. They don’t even know me. It’s the curse of being a siren. Men say they love you, [. . .] but you never know if it’s true, if it’s real.
A teen science prodigy who feels existentially lost upon learning he’s a clone:
RYAN: (Full of resentment) [. . .] I guess I’m just getting mad at myself, right? Genetically speaking, we’re the same person.
Fi: (Gently) No. There’s a difference. You’re different.
RYAN: (Protesting) But there’s not. I mean, same genes, same DNA . . . I have no identity.
And a werewolf child who fears losing the love of her human parents should they learn of her beastly heritage:
(Fi enters the tour bus to find Laura, naked and freezing)
LAURA: (Trembling and near tears) I’ve been changing. I’m so scared. I don’t know what’s happening to me. (Fi wraps Laura in a blanket and cradles her in her arms) You can’t tell my mommy and daddy. I’ve been keeping it a secret. Only going out when they’re asleep. If they knew, they wouldn’t love me anymore.
I also find the group’s varied reactions to Fi’s claims and their own close encounters very refreshing. While I would argue that Fi could be compared to characters like Courage the Cowardly Dog or Sylvester in the Looney Tunes short, Scaredy Cat, in that she’s usually the only one aware of any supernatural danger and must therefore rescue her loved ones singlehanded, thankfully said loved ones aren’t like Eustace and Muriel or Porky Pig, oblivious or disbelieving to the point of becoming idiots and/or jerks. Though no-nonsense band manager Irene has little patience with mysteries and gentle giant tutor and bus driver Ned sees them only through a cultural or historical lens, the couple has the Philips’ best interests at heart, Irene sharing a sisterly bond with Molly and a sincere interest in cultivating her career, and Ned showing the same care and affection to Fi and Jack as their own sons:
IRENE: How did you cook it so fast?
ASTRID: How do you think? (Laughs cheerfully with raised hands) Magic!
IRENE: (Obviously not caring) Oh, yeah. OK. Well, look, once we get the bridge fixed, I just want to know, are there any other local quirks that we need to know about on the way to St. Paul?
—--
NED: (With enthusiasm) I’ve always loved the richness of Native-American Tradition. Maybe one day I’ll do a vision quest. [. . .] It’s how you discover your true nature and destiny, and it’s often when your spirit guide is revealed to you.
Clu, with his surfer-dude persona, and Carey, with his love of the music scene, each epitomize their own brand of “cool”—with varying degrees of success. They may not share Fi’s brains or her beliefs per se, but they do share her sense of adventure and imagination, and will often go along with her plans for fun as well as backup:
CLU:
- (Excited) Bird-monster thing? Cool!
- (Mind-blown) Cosmic weirdness, man. I wonder if this means I’m gonna have to study Physics?
CAREY:
- Getting an open tuning. [. . .] (Grinning) I want to play some slide.
- Maybe, maybe not. The only way to know for sure is if we ask it another question. (Holds up a key card and smiles mischievously) [. . .] Can we ask it the real lottery numbers?
But it’s Fi’s mother and brother who act as her foils and really put the concept of faith in perspective. In typical older-sibling fashion, Jack loves to tease Fi for her so-called ridiculous stories, and easily gets frustrated by what he sees as her making herself a public nuisance:
JACK:
- (Mocking Fi) Hey, check it out. Cyber girl’s looking for little green Martians again.
- (Scolding Fi) And now you’re even bugging her right before she goes on stage. It’s not fair that you keep pressuring her into believing all this stuff you keep seeing.
Yet as much as he hesitates to believe in miracles and offer false hope, he knows deep down that Fi means well and really does want her to succeed in helping others, whether the methods are normal or not. And when he does find himself face-to-face with something he can’t rationally explain away, he proves time and again that his love and loyalty are stronger than his cynicism and doubt:
JACK: Look, I’m not exactly sure what’s going on with this girl, but I am sure it’s not what you think is going on. But how about we try looking for her one more time tomorrow? If you just shut up for one minute, I bet you could think of something to say that actually might help her.
FI: Thanks, Jack. I think.
Molly’s fears run deeper than just the ordinary hardships of single-parenthood, long travel, and tight schedules. As her late husband was also her professional partner, her artistic passion is a double-edged sword, his spiritual presence that she wants to believe she feels beside her on stage equally comforting and painful. This along with trying to understand and support her headstrong daughter while trying to keep her safe not only makes her empathetic as a mother and human being, but also genuine as a singer and performer. The music tour angle isn’t just a convenient plot device to get a new location for each episode. Molly’s songs often play pivotal roles in both plot and character development. It’s unfortunate that some are either incomplete or have dialogue and sound effects on them as the soundtrack, like the show, never got an official release. Still, whether ballad or blues or acoustic or Celtic, as I listened again after over twenty years, I lost count of how many times I found myself bobbing my head or being moved literally to tears:
MOLLY: (Choosing her words carefully) I’m not as sure about things as you are. Fi. But sometimes . . . especially when I’m playing . . . it’s like your dad’s right there with me on his 12-string, you know? It’s just a feeling. Maybe it’s not the same as believing in ghosts . . . but it’s something.
“More Like a River” excerpt:
I wanna be more like river
Less like a wall
Not trying to hold back
This feelings at all
‘Cause when I miss you
When I’m dying to kiss you
I’ve got to let that flow
More like a river
When lead actress Cara Delizia wanted to leave the show, Fi was replaced by Alexz Johnson as family friend and new protagonist, Annie Thelen. Whereas Fi’s two seasons comprise a detective story packed with high stakes and a dark history, Annie’s more colorful and light-hearted third and last season is a journey of self-discovery spurred by her own budding musical talent and a mysterious connection with a benevolent phantom black panther. Not bad, just different. Like this entire show. So Weird represents one of the rare times pre-21st century that the Disney Channel would push the envelope with its youth-oriented content to create a mature, nuanced drama as well as an awesomely chilling urban fantasy. But more than that, it showed me that when it comes to truth being out there, the sky really is the limit, both scientifically and spiritually.
CREDITS:
Special thanks to KTWH 99.5 Two Harbors Community Radio. All images, audio, and links belong to their respective owners; no copyright infringement is intended.
MAIN THEME:
“The Call” - Briand Morrison and Roxann Berglund
https://www.briandmorrison.com/
https://www.facebook.com/BriandMorrisonGuitar/
https://www.youtube.com/user/briandmorrison
EPISODE SONG:
“Mostly Strange” - Jake Searl
https://www.facebook.com/JakeSearlMusic
“Mostly Strange” - Jake Searl
https://www.facebook.com/JakeSearlMusic
All other music and sound clips are from So Weird (created by Tom J. Astle; production by Sugar Entertainment, Ltd. No Equal Entertainment, Inc., and Fair Dinkum Productions; released by Disney Channel).
- Season 1, Ep. 1: “Family Reunion”
- Season 1, Ep. 2: “Web Sight”
- Season 1, Ep. 5: “Escape”
- Season 1, Ep. 8: “Strangeling”
- Season 1, Ep. 9: “Rebecca”
- Season 1, Ep. 11: “Singularity”
- Season 1, Ep. 12: “Lost”
- Season 2, Ep. 1: “Medium”
- Season 2, Ep. 3: “Siren”
- Season 2, Ep. 8: “Werewolf”
- Season 2, Ep. 9: “Second Generation”
- Season 2, Ep. 10: “Oopa”
- Season 2, Ep. 16: “Blues”
- Season 2, Ep. 17: “Avatar”
- Season 2, Ep. 19: “Troll”
- Season 2, Ep. 24: “Encore”
- Season 3, Ep. 25: “Annie’s Song”
Download the full 15-minute episode here!
So Weird on Wikipedia
So Weird on IMDb
So Weird on Rotten Tomatoes
So Weird on Tv Tropes
So Weird on Fandom
So Weird on Disney+
So Weird books on Amazon
^^ Back to TV Shows, Web Series, and Other Narrative Programs
- Season 1, Ep. 1: “Family Reunion”
- Season 1, Ep. 2: “Web Sight”
- Season 1, Ep. 5: “Escape”
- Season 1, Ep. 8: “Strangeling”
- Season 1, Ep. 9: “Rebecca”
- Season 1, Ep. 11: “Singularity”
- Season 1, Ep. 12: “Lost”
- Season 2, Ep. 1: “Medium”
- Season 2, Ep. 3: “Siren”
- Season 2, Ep. 8: “Werewolf”
- Season 2, Ep. 9: “Second Generation”
- Season 2, Ep. 10: “Oopa”
- Season 2, Ep. 16: “Blues”
- Season 2, Ep. 17: “Avatar”
- Season 2, Ep. 19: “Troll”
- Season 2, Ep. 24: “Encore”
- Season 3, Ep. 25: “Annie’s Song”
Download the full 15-minute episode here!
So Weird on Wikipedia
So Weird on IMDb
So Weird on Rotten Tomatoes
So Weird on Tv Tropes
So Weird on Fandom
So Weird on Disney+
So Weird books on Amazon
^^ Back to TV Shows, Web Series, and Other Narrative Programs
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